Young Frankenstein - Movie Review

In Young Frankenstein, Dr. Frederick Frankenstein, an American brain surgeon and the grandson of the infamous Victor Frankenstein, inherits his familys castle in Transylvania. Although Frederick prince of A compensation eventually tries to sever his links with his grandfather, the eccentric scientist, he finds himself in the laboratory of the dead man, and tempted to follow into the tracks of the latter – that results in highly ridiculous and comical situations.

Using elements of humor to discuss messages like succession, individuality, and particularly, the thin line between reality and madness, shapes the film to be a parody of the monster genre films. Its genre incorporates horror with sheer understated comedy, and pays a witty respect to the original ‘Frankenstein’ plot.

Gene Wilder as Frederick Frankenstein is truly looney, yet endearing in equal measure, and hilariously enthusiastic. Much of the humor within Igor is very slapstick by nature and is highlighted with a performance by comedian Marty Feldman. Peter Boyle does a very good performance of the monster, portraying the creature with such tenderness yet funny at the same time. With a cast as Cloris Leachman and Made-line Kahn, it is possible to be guaranteed a right producers of comedy in every scene. His vision for a satirical yet respectful homage to Mary Shelley’s work creates a timeless piece that is as entertaining today as it was at its release.

The musical score, composed by John Morris, complements the film’s nostalgic yet comedic tone, reinforcing its homage to classic horror films while enhancing its cheeky humor.

Gerald Hirschfelds black-and-white cinematography captures the essence of 1930s monster movies, enhancing the atmosphere and bringing an authentic feel of nostalgia and homage.

The intricate production design, with its meticulously crafted sets, transports viewers straight into the world of gothic castles and eerie laboratories. These settings are both familiar and fresh, adding to the films charm.

While not over-reliant on special effects, those used effectively support the comedic moments, such as the monstrous laboratory apparatus and the exaggerated storm sequences, which contribute to the film’s pastiche style.

John C. Howard and Mel Brooks deliver tight editing that maintains the film’s brisk comedic timing, allowing for seamless transitions between slapstick humor and moments of suspense.

The movie maintains a lively pace, with energetic sequences keeping the audience engaged throughout its runtime. With an artistic sense of humor to boot, timing of jokes and comedic scenes is great in the movie.

Sharp, witty, and hilariously stupid, the script is to a Tee perfectly capturing the essence of the film’s humor. Lines of dialogues like ‘What hump?’ are still credible thus making it to its perpetuity of use.

But all in all, while the film is almost perfect in all other aspects, some might find its humor dated. However, most of its drawbacks can be disregarded because the movie is still funny, and its vision of a young Frankenstein is enduring and endearing. We can read it as intend parody of the classical horror movie with a hint of ridicule that will be with you for days and weeks. I highly recommend watching this film to everybody regardless of whether they are fans of thriller andor musicals.