An Engaging Dance of Love and Morality in 'Hit Man'
For instance, in ‘Hit Man, Richard Linklater constructs a story that comprises of crime and passion. The film revolves around Gary Johnson, a professor who put himself on the police side and works as a fake hired killer, who has to face dilemma after he has fallen in love with a client. Complex, the subject matter covers issues such as identification, fraud, and retribution.|There is a love story inside the comedy, so a complex plot covers love and the sense of justice. It raises the issue about how far one should give his or her way between love and responsibilities and blurring of fiction and fact. Adria Arjona is a fitting colead for him, with Madison being a fully fleshed out and believable character. On the aspect of romance, they quite convincingly portray the film’s romantic story-line.
In line with above observation, one must admit that Richard Linklater does a good job in using comedy and drama interchangeably throughout the film to produce a fluid movie narrative. His attitude gives breath to the bizarre and random plot.
The music is the combination of jazz and modern tunes that fit the film’s moody swings for both comedic and dramatic sequences.
The location and set design are stunning, capturing New Orleans excellently and apply excellent uses of It is very successfully an extension in its reflections of the thematic aspects of the show.
It does this all very skillfully in regard to the thematic explorations of the cinematic piece. Although such scenes are quite rare and do not overshadow the overall picture.
In general, ‘Hit Man’ is a very different and quite interesting film that tries and succeeds in compressing comedy, crime and romance elements. The theme of love as well as morality prompted by intense performances and Linklater’s direction is memorable. It is a movie that gives entertainment but also something more, an aspect of a good story.
